annotated bibliography

Modern Painters. Writers on Artists. New York: DK Publishing, Inc., 2001
…the efficacy of the metamorphosis depends absolutely on our knowing what the thing was

Lambirth, Andrew. "Canter through Dada.(Exhibitions)." Spectator 306.9368 (March 22, 2008): 50(2). Expanded Academic ASAP. Gale. Boston Public Library. 1 Mar. 2009 .
Collings, Matthew. "Anything Goes.(Arts; Exhibition)(Marcel Duchamp, Francis Picabia and Man Ray)." Time International (Europe Edition) 171.10 (March 10, 2008): 49. Expanded Academic ASAP. Gale. Boston Public Library. 1 Mar. 2009 .
Lewis, Ben. “Who's the Dada? The joke's on us: Francis Picabia's Femmes Au Bull Dog (1940-42), above; Untitled (Ferns) by Man Ray (1923), left, and Marcel Duchamp's Fountain (1917), far left.” The Evening Standard (London, England), Feb 21, 2008 p43. InfoTrac. Boston Public Library.

Savigneau, Josiane. "Duchamp, Marcel Marcel Duchamp.(Marcel Duchamp: La vie a credit)(Brief article)(Book review)." Biography 30.2 (Spring 2007): 261(1). Expanded Academic ASAP. Gale. Boston Public Library. 1 Mar. 2009 .
Yapou, Yonna. Apollo 165.540 (Feb 2007): 80(3). Expanded Academic ASAP. Gale. Boston Public Library. 1 Mar. 2009 .

Modernism for America: The Societe Anonyme: this travelling exhibition captures the spirit of discovery and excitement generated by a society founded in 1920 by Katherine Dreier and Marcel Duchamp to promote modern art in the USA.(EXHIBITIONS).
Stuckey, Charles.Art in America 94.6 (June-July 2006): 142(12). Expanded Academic ASAP. Gale. Boston Public Library. 1 Mar. 2009 . ”
Dada lives: the subject of an appropriately shape-shifting exhibition seen in Paris, Washington and now New York, Dada wasprod the 20th century's most all-inclusive and far-reaching art movement, rejecting nothing, no matter how vulgar, provocative or insincere. Today's art is, in many ways, its product

West, Patrick. "Duchamp and his urinal: he was just taking the piss." New Statesman (1996) 133.4718 (Dec 13, 2004): 12(2). Expanded Academic ASAP. Gale. Boston Public Library. 1 Mar. 2009 .
Mount, Nick. "The return of beauty." Queen's Quarterly 115.2 (Summer 2008): 168(18). Expanded Academic ASAP. Gale. Boston Public Library. 2 Mar. 2009 http://find.galegroup.com.ezproxy.bpl.org/itx/start.do?prodId=EAIM.
Tata, Michael Angelo. "Rrose Selavy, Barbarella, Madonna: Cybersublimity after the Orgasmotron.(Critical essay)." Nebula 4.3 (Sept 2007): 40(23). Academic OneFile. Gale. Malden Public Library. 2 Mar. 2009 http://find.galegroup.com/itx/start.do?prodId=AONE.
Singer, Thomas. "In the Manner of Duchamp, 1942-47: the years of the 'mirrorical return'." The Art Bulletin 86.2 (June 2004): 346(24). Academic OneFile. Gale. Malden Public Library. 2 Mar. 2009 http://find.galegroup.com/itx/start.do?prodId=AONE.
"Marcel Duchamp." Authors and Artists for Young Adults, Volume 47. Gale Group, 2003. Reproduced in Biography Resource Center. Farmington Hills, Mich.: Gale, 2009. http://galenet.galegroup.com/servlet/BioRC